"We do not “come into” this world; we come out of it, as leaves from a tree. As the ocean “waves,” the universe “peoples.” Every individual is an expression of the whole realm of nature, a unique action of the total universe."
Every star is a sun as big, as bright, as our own. Just imagine, how far away from us you’d have to move the sun to make it appear as small and faint as a star. The light from the stars travels very fast. Faster than anything. But not infinitely fast. It takes time for their light to reach us. For the nearest ones, it takes years. For others, centuries. Some stars are so far away it takes eons for their light to get to Earth.
By the time the light from some stars gets here they are already dead. For those stars, we see only their ghosts. We see their light, but their bodies perished long, long ago.
- Episode 5: A Sky Full Of Ghosts, Cosmos: A SpaceTime Odyssey
"For as long as there been humans we have searched for our place in the cosmos. Where are we? Who are we? We find that we live on an insignificant planet of a hum-drum star lost in a galaxy tucked away in some forgotten corner of a universe in which there are far more galaxies than people. This perspective is a courageous continuation of our penchant for constructing and testing mental models of the skies; the Sun as a red-hot stone, the stars as a celestial flame, the Galaxy as the backbone of night." – CARL SAGAN
(Photography credit: Michael Goh)
Sarah Schönfeld - All You Can Feel
"Since the 1950s, we in the western world have increasingly come to understand our most intimate desires and experiences as the products of a so-called ‘chemical self’. We can explain moods, angers and diseases both physiological and psychological as an imbalance of substances in the body.
All of this, of course, takes place against the backdrop of a constantly shifting legal and political climate regarding the regulation of different types of mood-altering substances.
What do all these substances actually look like when their essence is visually depicted?
Schönfeld squeezed drops of various legal and illegal liquid drug mixtures onto negative film which had
already been exposed. Each drop altered the coating of the film.
Much like the effect of some of these substances on humans, this can be a lengthy process – sometimes one that can barely be stopped.
She then enlarged these negatives including the chemical reaction of the particular drug, to sizes of up to 160 x 200cm.”
4. Crystal Meth
8. Pharmaceutical Speed
The literal negative effects of drugs (on negatives)
35mm film / Porvenir, 02/2014.